Mallard is a slave to her marriage and sets aside her own identity in order to be the wife her husband expects her to be. This kind of sacrifice of self would lead anyone to have some weakness of the heart and soul. Richards, a friend of Mr. Mallard as gently as possible about the death of her husband.
Upon hearing the news, Chopin makes it clear that Mrs.
This compliments the notion that Mrs. Mallard would immediately break down with raw emotion after hearing the news, rather then it taking time for the reality to set in. After the initial reaction, Mrs. Mallard goes to her room to be alone and this is when the truly profound emotional and psychological ride begins for her. Chopin then narrates that Mrs. Mallard had been living in, in order to meet her social expectations as a wife. Jamil argues that up to this point Mrs.
Chopin uses descriptive words that lend themselves to Mrs.
Mallards own emotions in her current state of mind. This plays a large role in the epiphany that is soon to be had by Mrs. Mallard about what is to come in her future without her husband.
The Story of an Hour Literary Analysis Essay Example
Chopin continues to express how afflicted Mrs. Mallard is with her struggle to come to terms with her current state of emotions and her vision of self by describing Mrs. Mallard is processing her self-being not on a rational level but more on her emotional stimuli. Mallard] feels emerging from nature is the vision, or perception, of [Mrs. Chopin thoughtfully deduces that Mrs.
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As Mrs. At this point Mrs. Louise is then left to contemplate the years to come beyond the day when she is obligated to lay her husband in his final resting place. Body and soul free! While considering the society with which Louise lived, it was common for people to associate emotions with being or making oneself sick. Chopin leads Louise to compare her desire to have a long life, when just yesterday she had wished her life to be short because of the lack of desire to continue her life in the prison of marriage she had with her husband.
This demonstrates that Louise has irreversibly transformed emotionally and that this inner change has transferred out into her outward appearance.
The Story of an Hour
As Louise makes the deviant descent down the stairs with her sister, she is confident in the future she will lead. However, when the front door is opened and her husband enters alive and uninjured because he was in fact far away from the accident, Louise takes her final shocking free fall off her roller coaster. Louise is unable to bear the loss of her new found identity, and with the sudden return of her husband and the life she knew prior to this hour of self discovery, she dies instantly.
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Story of an Hour Literary Analysis
Finally, there is rapidly falling tension briefly set out before the resolution. All these insights shed light on the cultural norms from when the story was written in the late nineteenth century. In the first paragraph, we the readers are introduced to Mrs. Her illness is described as a heart trouble indicating that it could be secondary to some other problem of a deeper nature.
We have our first suspicion that Mrs. Mallard may have an incapacity in how she loves. When Mrs. Mallard can only be told indirectly.
Richard has checked and rechecked the information that Mr. Mallard is now a widow according to the cultural norms of the time, unlike single and married women she could legitimately be independent, have her own source of income, as well as have sympathy from all those around her. At that time it was considered dangerous for women even to go to their rooms alone as doing so might encourage independent thought. Chopin now gives us a picture of the freedom inherent in widowhood. First of all is the armchair, a direct metaphor to widowhood itself. The plot moves into rising action and complication, beginning with a description of Mrs.
Now we are wondering if Mrs. Mallard is mentally unstable and Chopin begs the question: Is Mrs. Mallard able to handle the complex and conflicting emotions brought on by her new state of widowhood. Chopin further increases the tension by indicating that Mrs. Mallard is now in the grip of something monstrous that threatens to overwhelm her. Now she is able to name the monster; it is freedom and she whispers a word over and over free, free, free!
At this point we see Mrs. Mallard change completely from someone submissive to a woman seemingly in charge of her life: quite opposed to how women were supposed to behave in the late nineteenth century. This would be shocking to the readers of the time when it was unheard of for a woman to be dissatisfied about marriage and to be happy over her husband s death. Mallard is pictured as a caged bird trapped in an unhappy marriage, even her name is an actual bird.
The birds outside the window are truly free in their simple lives. As Chopin moves up the tension towards the climax, this idea is further reinforced as we see Mrs.
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